{"id":29416,"date":"2024-05-15T12:53:54","date_gmt":"2024-05-15T10:53:54","guid":{"rendered":"https:\/\/www.lavillette.com\/manifestations\/100-lexpo-2025\/"},"modified":"2025-12-03T15:16:32","modified_gmt":"2025-12-03T14:16:32","slug":"100-lexpo-2025","status":"publish","type":"manifestations","link":"https:\/\/www.lavillette.com\/en\/manifestations\/100-lexpo-2025\/","title":{"rendered":"100% L’EXPO 2025"},"content":{"rendered":"\n LEARN MORE<\/span>\n\n <\/a>\n\n
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ARTISTS ON DISPLAY<\/h6>\n\n\n
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MATIAS AGAFONOVAS<\/a> \u2022 MORGANE BAFFIER<\/a> \u2022 MAYMOUNA BARADJI<\/a> \u2022 THOMAS BESSET<\/a> \u2022 YANNIS BRIKI<\/a> \u2022 ROSE-MAH\u00c9 CABEL<\/a> \u2022 MELISSA CASCADE<\/a> \u2022 CORENTIN DARR\u00c9<\/a> \u2022 IX DARTAYRE<\/a> \u2022 ROM\u00c9O DINI<\/a> \u2022 L\u00c9O DUPR\u00c9<\/a> \u2022 NIN<\/a>ON ENEA<\/a> \u2022 VALENTINE GARDIENNET<\/a> \u2022 CLAIRE GITTON<\/a> \u2022 CHARLES-DAVID GNANGORAN (CHADA)<\/a> \u2022 LUDOVIC HADJERAS<\/a> \u2022 EMIKA LANNELONGUE<\/a> \u2022 ZO\u00c9 LADOUCE<\/a> \u2022 NICOLAS LEBEAU<\/a> \u2022 LOU LE FORBAN<\/a> \u2022 GUILLAUME MENGUY<\/a> \u2022 MA\u00cfLYS MOANDA<\/a> \u2022 NAFISEH MOSHASHAEH<\/a> \u2022 PHUONG THAO NGUYEN<\/a> \u2022 TALITA OTOVI\u0106<\/a> \u2022 DUO ROBER \/ EMMA BERGER-PIERRE & SARA ROTTENW\u00d6HRER<\/a> \u2022 VALENTIN RANGER<\/a> \u2022 ROMAIN RAVERA<\/a> \u2022 SOFIA ROCHA MONDRAGON<\/a> \u2022 CARLOTA SANDOVAL-LIZARRALDE<\/a> \u2022 ANNA SOUGY<\/a> & L\u00c9A TISSOT-LAURA<\/a> \u2022 GIO VENTURA<\/a> \u2022 MAXIME VIGNAUD<\/a> \u2022 ALEXANDRE YANG<\/a> \u2022 MURPHY YUM<\/a><\/mark><\/p>\n\n\n

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IN COLLABORATION AVEC<\/h6>\n\n\n
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\n Les Beaux-Arts de Marseille<\/small><\/span>\n
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A Campus Art M\u00e9diterran\u00e9e Institution<\/strong><\/em><\/p>\n\n\n\n

Located near the Calanques National Park on a 20-hectare site, Les Beaux-Arts de Marseille is a public higher education institution and a member of Campus Art M\u00e9diterran\u00e9e, alongside the Pierre Barbizet Conservatory and the Marseille M\u00e9diterran\u00e9e Institute for Artistic Training.
The school offers a foundation program to prepare students for entrance exams to art and design schools, as well as a three-year National Diploma in Art (DNA) with options in art or design. It also grants a National Higher Diploma in Visual Expression (DNSEP), equivalent to a Master\u2019s degree (Master 2), in art or design.
For the past 20 years, the school has welcomed deaf and hard-of-hearing students through the PiSourd program. Committed to excellence in research and creative practice, it provides a professional-oriented education, supported by a vast network of global partnerships and 13,000 m\u00b2 of studio space.<\/p>\n\n <\/div>\n<\/div>\n\n

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\n Les Beaux-Arts de Paris<\/small><\/span>\n
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Les Beaux-Arts de Paris serve as both a center for artistic training and experimentation, as well as a space for exhibitions, conservation of historical and contemporary collections, and publishing.
Under the supervision of the French Ministry of Culture, the school trains high-level artists and holds a vital position in the contemporary art scene. Instruction is conducted in studios under the guidance of renowned artists, complemented by theoretical and technical courses.<\/p>\n\n <\/div>\n<\/div>\n\n

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\n \u00c9cole des Arts D\u00e9coratifs – PSL<\/small><\/span>\n
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Since 1766, the \u00c9cole des Arts D\u00e9coratifs \u2013 PSL has been a training ground for artists, designers, and creators of contemporary decor, shaping both the useful and the beautiful in response to today’s challenges.
With a unique educational model, the school offers comprehensive training across all artistic, design, and creative disciplines. Its global outreach, an exceptional research hub, and a dynamic cultural program place it among the world\u2019s leading institutions dedicated to ecological, social, technological, and humanitarian transformation.
Now operating across multiple locations, the \u00c9cole des Arts D\u00e9coratifs \u2013 PSL fulfills its national mission to redefine the arts of living and inhabiting in the modern age. Functioning as a rhizome, it reconnects with the very essence of decorative arts, addressing the pressing issues of our shared world.
Each year, over 800 students work to shape the material, visual, and imaginary environments of our time, while critically engaging with the shifting artistic and societal landscape. The \u00c9cole des Arts D\u00e9coratifs \u2013 PSL is a public institution of higher education under the Ministry of Culture, a component of Universit\u00e9 PSL (Paris Sciences & Lettres), and a key player in the MoMADe Campus of Excellence for Fashion, Crafts, and Design Professions.<\/p>\n\n <\/div>\n<\/div>\n\n

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\n L\u2019\u00c9cole nationale sup\u00e9rieure d\u2019arts de Paris-Cergy<\/small><\/span>\n
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A public institution for higher artistic education under the Ministry of Culture, the \u00c9cole nationale sup\u00e9rieure d\u2019arts de Paris-Cergy (ENSAPC) trains artists and creators active on both the French and international art scenes.
Emphasizing total interdisciplinarity and granting students significant autonomy in shaping their own curriculum, the school offers a wide-ranging program that intersects visual arts, writing, performance, sound, film, and theory.
Through strong partnerships with institutions in France and abroad, ENSAPC fosters experimentation, critical engagement, and creative exploration, preparing students to contribute dynamically to contemporary artistic discourse.<\/p>\n\n <\/div>\n<\/div>\n\n

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\n Haute \u00c9cole des Arts du Rhin (HEAR) \u2013 Mulhouse & Strasbourg<\/small><\/span>\n
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A leading institution for visual arts, object art, graphic communication, design, textile design, visual didactics, scenography, illustration, as well as musical creation and interpretation, the Haute \u00c9cole des Arts du Rhin (HEAR) is one of the rare European schools where such a diverse range of artistic practices coexist at the highest level of excellence.
With campuses in Strasbourg and Mulhouse, HEAR fosters an innovative teaching model that encourages cross-disciplinary collaboration and artistic synergy. Its 750 students pursue one of 20 degrees, ranging from bachelor\u2019s to doctoral levels.
This unique structure allows for bold artistic experimentation, hybridization, and new creative forms, while maintaining strong foundations in specialized disciplines. With state-of-the-art workshops and facilities, students have the opportunity to explore and master a wide array of techniques under the guidance of expert instructors, technicians, and specialized assistants.<\/p>\n\n <\/div>\n<\/div>\n\n

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\n Villa Arson \u2013 Nice<\/small><\/span>\n
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Inaugurated in 1972, Villa Arson was conceived as an innovative institution designed to fulfill several essential and complementary functions in support of creation: teaching, research, experimentation, production, dissemination, valorization, and support. Its uniqueness lies in the combination of various activities: a national art school, a contemporary art center, and an international residency hub, where the interplay of these functions enriches the experiences of students and artists alike.
Villa Arson accommodates approximately 230 students and offers a single Department of Arts that spans a wide range of disciplines and practices. The contemporary art center develops a dynamic exhibition program with a strong international focus, prioritizing emerging creation. In its commitment to global openness, Villa Arson also hosts artist residencies throughout the year, bridging students with diverse creative scenes and enriching their artistic projects.<\/p>\n\n <\/div>\n<\/div>\n\n

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\n La Fondation Culture & Diversit\u00e9<\/small><\/span>\n
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Since its creation in 2006, La Fondation Culture & Diversit\u00e9 has been designing and directly implementing programs in partnership with cultural and educational institutions to promote Equal Opportunities in access to prestigious cultural schools. These programs aim to inform young people about higher education in the cultural and artistic fields, help them prepare for entrance exams, support them throughout their studies, and assist with their professional integration.
For the fourth consecutive year, the Foundation partners with 100% L\u2019EXPO to present and highlight the creations of Melissa Cascade and Emma Berger-Pierre (in collaboration with Sara Rottenw\u00f6hrer as part of the duo ROBER), young artists who have gone through the Equal Opportunities programs and graduated from an art school.<\/p>\n\n <\/div>\n<\/div>\n\n

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\n Manifesto XXI<\/small><\/span>\n
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Born from the remnants of La Manif pour tous<\/em> in 2014, Manifesto XXI<\/strong> is a collective and media outlet that has, for a decade, given a voice to a generation of queer, feminist, and decolonial artists and thinkers. This platform engages through its website, social media, podcasts, and videos.<\/p>\n\n <\/div>\n<\/div>\n\n

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MEETINGS & PERFORMANCES<\/h6>\n\n\n
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IDIO CHICHAVA
Vejo Anjos que atravessam o sol na minha sala<\/em><\/h4>\n\n\n\n

10 & 11.04.2025<\/strong>
Thu. Fri 6 PM
<\/strong>Free entry with registration<\/em><\/p>\n\n\n\n SUBSCRIBE<\/span>\n\n \n <\/path>\n <\/svg>\n <\/a>\n <\/div>\n \n <\/div>\n\n \n <\/div>\n \n<\/section><\/div>\n\n\n\n

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HOW TO LOVE WHEN IT’S THE END OF THE WORLD?
Invitation to the media Manifesto XXI<\/strong><\/h4>\n\n\n\n

12.04.2025<\/strong>
Saturday 4 PM- 9 PM
<\/strong>Free entry<\/p>\n\n\n

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The media outlet Manifesto XXI takes over 100% L\u2019EXPO<\/em> for an afternoon focused on the concept of safe space. Talks, screenings, readings, and performances will shape this temporary zone of care, solidarity, and resistance.<\/p>\n\n\n\n

PROGRAM<\/strong><\/p>\n\n\n\n

4:00 PM<\/strong> \u2013 Discussion between Myriam Bahaffou<\/strong> and Lydie Ra\u00ebr<\/strong> (Les D\u00e9valideuses<\/em>), moderated by Constant Spina<\/strong> (Manifesto XXI)<\/p>\n\n\n\n

5:15 PM<\/strong> \u2013 Collective nap performance by Audrey Coupp\u00e9 de Kermadec<\/strong>; Conversation with Sarah Diep<\/strong> (Manifesto XXI)<\/p>\n\n\n\n

6:30 PM<\/strong> \u2013 Screening of Repair, Mourn, Build Community<\/em> (excerpt) \u2013 a documentary by Pascal Li\u00e8vre<\/strong>;
Discussion with Pascal Li\u00e8vre<\/strong>, Luciel Ruppert<\/strong> (Les Ami\u00b7es du patchwork des noms<\/em>), and Myriam Rabah-Konat\u00e9<\/strong>, moderated by Soizic Pineau<\/strong> (Manifesto XXI)<\/p>\n\n\n\n

8:00 PM<\/strong> \u2013 Devana<\/strong> (musical performance)

Installation by Rozy Tergemina Sapelkine<\/strong><\/p>\n\n <\/div>\n<\/div>\n <\/div>\n \n <\/div>\n\n \n <\/div>\n \n<\/section><\/div>\n<\/div>\n\n\n\n

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100% PERFORMANCES

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19 & 20.04.2025<\/strong>
Saturday 4 PM – 9 PM<\/strong>
Sunday 3 PM – 7 PM<\/strong>
Free entry<\/p>\n\n\n

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As part of 100% L’EXPO<\/strong>, an entire weekend is dedicated to performance in all its forms across several spaces. This key event is designed to showcase the diversity and dynamism of emerging contemporary creation. Performances will feature artists such as Bruta & Ayoub Jasmina Moumen, Morgane Baffier, Chams Barkaoui, Sarah Netter, Sehyoung Lee, Th\u00e9o Laglisse, Timoth\u00e9e Gaydon, Zo\u00e9 Ladouce, Rose-Mah\u00e9 Cabel, Maymouna Baradji, Ix Dartayre, Anna Sougy & L\u00e9a Tissot-Laura, Maxime Vignaud, and Yannis Briki.<\/p>\n\n\n\n

A detailed program will be available at the end of March.<\/strong><\/p>\n\n <\/div>\n<\/div>\n <\/div>\n \n <\/div>\n\n \n <\/div>\n \n<\/section><\/div>\n\n\n\n

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ANNABEL GU\u00c9R\u00c9DRAT
Let’s go back to the river<\/em><\/em>

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26 & 27<\/strong>.04.2025<\/strong>
Thu. Fri. 7 PM
<\/strong>Free entry with registration<\/em><\/em><\/p>\n\n\n\n SUBSCRIBE<\/span>\n\n \n <\/path>\n <\/svg>\n <\/a>\n <\/div>\n \n <\/div>\n\n \n <\/div>\n \n<\/section><\/div>\n<\/div>\n\n\n

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100% L\u2019EXPO – MADRID<\/h6>\n\n\n\n
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\n 100% L\u2019EXPO<\/i> goes to Madrid<\/small> <\/h2>\n
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\n \u00a9 Copyright \n \u00a9 Florent Michel 11h45 <\/span>\n <\/figcaption>\n <\/figure>\n <\/div>\n
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From March 4 to May 9, the French Institute of Spain will showcase 100% L\u2019EXPO during the prestigious ARCO International Fair in Madrid. A selection of artists from the 2024 edition will present their works in the exhibition gallery of the French Institute in Madrid, as part of the VIP tour of the fair. This collaboration between La Villette and the French Institute of Spain aims to support emerging French artists by offering them the opportunity to display their talent internationally.<\/p>\n\n <\/div>\n <\/div>\n<\/section><\/div>\n\n\n\n

<\/div>\n<\/div>\n","protected":false},"featured_media":49957,"template":"","nature-manif":[],"programmation":[2649],"saison":[2521],"manif-type":[2496,2510,2553,2498,2515,2517],"class_list":["post-29416","manifestations","type-manifestations","status-publish","has-post-thumbnail","hentry","programmation-la-villette","saison-24-en","manif-type-creation-en","manif-type-exhibition","manif-type-extracurricular","manif-type-grande-halle-en","manif-type-gratuit-en","manif-type-plein-air-en"],"acf":[],"yoast_head":"\n100% L'EXPO 2025 - La Villette<\/title>\n<meta name=\"description\" content=\"True to its ambition to highlight young artists, the 7th edition of 100% L'EXPO gives carte blanche to some fifty recent graduates of French art schools. 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