{"id":30784,"date":"2024-04-25T14:04:19","date_gmt":"2024-04-25T12:04:19","guid":{"rendered":"https:\/\/www.lavillette.com\/manifestations\/plateau-hip-hop-2025\/"},"modified":"2025-01-24T11:29:09","modified_gmt":"2025-01-24T10:29:09","slug":"plateau-hip-hop-2025","status":"publish","type":"manifestations","link":"https:\/\/www.lavillette.com\/en\/manifestations\/plateau-hip-hop-2025\/","title":{"rendered":"S24\/25 – PLATEAU HIP-HOP"},"content":{"rendered":"
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\r\n Biography of Arnaud Deprez<\/span>\r\n
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Practicing underground Bboying since the age of 12, Arnaud Deprez \u2013 Bboy Fenix (Joyeux Loufock) quickly reached the high level of competition. At 15, he began performing street shows seriously, driven by a goal to travel to the United States, challenge the best, and perfect his training. This led to a career of battles around the world, a life dedicated to discovering new moves and effects\u2014physical, musical, and visual.<\/mark><\/p>\n\n\n\n

Over the years, creating, shedding his armor, and expressing himself within a company became a natural progression. In 2015, he began dancing and choreographing with the Mouvmatik Company (Physs). There, he developed his first solo creation, Process<\/em>, in 2017\u2014a piece of technical and spiritual exploration. It marked his departure from the battle arena to draw the contours of intimacy. The piece reflects his deep need to express feelings of disconnection and his desire for liberation through dance and its writing processes.<\/mark><\/p>\n\n\n\n

After working with the K\u00e4fig Company, he continued refining his hip-hop and breaking choreography techniques. Alongside Philippe Almeida, they produced Substance<\/em> and Insight Data<\/em>, envisioned as digital experiences blending hip-hop dance with digital artistic installations.<\/mark><\/p>\n\n\n\n

In 2020, he produced Passages<\/em>, a choreographic EP in a composite form presented experimentally as five short films. These five tableaux trace a journey from introspection to emancipation through the discovery of a personal choreographic language.<\/mark><\/p>\n\n\n\n

Arnaud’s determination, battle experience, choreographic skills, and artistic entrepreneurship now fuel his vision for his own company, Compagnie Allong\u00e9<\/em>.<\/mark><\/p>\n<\/div>\n<\/div>\n\n <\/div>\r\n<\/section>\n <\/div>\r\n<\/div>\n\n

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MOUNIA NASSANGAR \u00b7 S.T.U.C.K<\/h3>\n\n\n\n

In her first piece as a choreographer, international waacking star Mounia Nassangar explores dance\u2019s ability to take over when words fail, when they stay stuck. This quest alludes to the history of waacking, a dance of urgency and an expression born out of oppression, of which the five performers on stage each provide their own version to reflect their different bodies and histories. They reveal this culture from a subjective and sensitive angle.<\/p>\n\n\n

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\r\n Biography of Mounia Nassangar<\/span>\r\n
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Mounia Nassangar discovered waacking and voguing in 2007, the year she joined the Parisian Ballroom scene by becoming a member of the iconic House of Mizrahi (2014), now the House of Gorgeous Gucci, where she specializes in runway. At the same time, she practiced waacking as an amateur for six years before mastering it and winning several national and international battles.
While training in academic dances, she co-founded the waacking collective Ma Dame Paris<\/em> in 2016 with Josepha Madoki and Sonia Bel Hadj Brahim. Together, they developed shows, battles, videos, and styling projects. Since 2017, she has organized events to promote waacking culture and, in 2022, founded the association Waack in Paris<\/em>.
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Among her numerous collaborations in the art world (Alune Wade, Marine Bercot, Gaspar No\u00e9, Aya Nakamura, Kelela), she has performed as a dancer and model in Jean-Paul Gaultier’s Fashion Freak Show<\/em> and as an interpreter in Earthbound<\/em> by Johanna Faye and Sa\u00efdo Lehlouh.<\/mark><\/p>\n<\/div>\n<\/div>\n\n <\/div>\r\n<\/section>\n <\/div>\r\n<\/div>\n\n

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With the support of<\/strong><\/p>\n\n\n\n

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