{"id":31322,"date":"2024-04-25T16:05:00","date_gmt":"2024-04-25T14:05:00","guid":{"rendered":"https:\/\/www.lavillette.com\/manifestations\/plateau-cirque\/"},"modified":"2025-05-26T12:36:45","modified_gmt":"2025-05-26T10:36:45","slug":"plateau-cirque","status":"publish","type":"manifestations","link":"https:\/\/www.lavillette.com\/en\/manifestations\/plateau-cirque\/","title":{"rendered":"EN – S24\/25 PLATEAU CIRQUE"},"content":{"rendered":"\n
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JOHAN BICHOT \/ CIE OCTOBRE 82<\/strong> \u00b7 Glissement Opus 2<\/em> \u00b7 INITIATIVES D’ARTISTES<\/small><\/p>\n\n\n\n

Tue 20 & Wed 21.05 at 8:00 p.m.
Estimated duration: 1 hour<\/strong><\/strong><\/p>\n\n\n

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In this metaphysical farce, Johan Bichot plays a character almost out of a silent film who debates the world around him, condemned to trying to catch objects that nevertheless slip out of his grasp, without really knowing why. He employs a treasure trove of gestures, acrobatics, and precariously balanced constructions to clutch malleable clay cubes suspended from hangers. A humorous pursuit of a grail that makes for a stunning choreography. <\/p>\n\n\n\n

This performance has benefited from the Initiatives d\u2019Artistes de La Villette<\/strong> program, which supports the creation and dissemination of works, assisting artists throughout the development process until the realization of their performance.<\/p>\n\n <\/div>\r\n<\/div>\n <\/div>\r\n \r\n <\/div>\r\n\r\n \r\n <\/div>\r\n \r\n<\/section><\/div>\n\n\n\n

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ELODIE GUEZOU \/ CIE AMA<\/strong> \u00b7 (D\u00e9)Formation Professionnelle<\/em><\/p>\n\n\n\n

Fri 23.12 at 8:00 pm , Sat 24.12 at 6:00 pm
Estimated duration: 1 hour<\/strong><\/strong><\/strong><\/p>\n\n\n

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Contortionist \u00c9lodie Gu\u00e9zou explains how and why she bends over backwards, literally and figuratively. In this piece combining contortion and theatre, her story incorporates fragments of her own life, dialogues, performances, and scientific insights. They say everything about a journey punctuated by challenges and sacrifices and pushed to the point of exhaustion and a breakdown. This proves the starting point for this offbeat examination of our relationship to our work.<\/p>\n\n <\/div>\r\n<\/div>\n <\/div>\r\n \r\n <\/div>\r\n\r\n \r\n <\/div>\r\n \r\n<\/section><\/div>\n<\/div>\n\n\n\n

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KAMMA ROSENBECK ET QUENTIN FOLCHER \/ COLLECTIF MAISON COURBE<\/strong> \u00b7 Le Paradoxe des jumeaux<\/em> \u00b7 INITIATIVES D’ARTISTES<\/small><\/p>\n\n\n\n

Tue 27 & Wed 28.05 at 8:00 p.m. <\/strong>
Estimated duration: 50 min<\/strong><\/p>\n\n\n

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Quentin Folcher and Kamma Rosenbeck explore our relationship to time in a work where circus, dance, and the visual arts coexist. One person evolves suspended mid-air while the other remains on the ground, balancing on their hands. There in lies the paradox: These twins will not have the same experience of time, nor will they age at the same rate. Movements in slow-motion, that have been accelerated or suspended, with clear or gradual stops, render this distortion palpable.<\/p>\n\n\n\n

This performance has benefited from the Initiatives d\u2019Artistes de La Villette<\/strong> program, which supports the creation and dissemination of works, assisting artists throughout the development process until the realization of their performance.<\/p>\n\n <\/div>\r\n<\/div>\n <\/div>\r\n \r\n <\/div>\r\n\r\n \r\n <\/div>\r\n \r\n<\/section><\/div>\n\n\n\n

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ANNA TAUBER ET FRAGAN GEHLKER \/ L\u2019ASSOCIATION DU VIDE<\/strong> \u00b7 Suzanne : une histoire du cirque<\/em><\/p>\n\n\n\n

Tue 3 & Wed 4.06 at 8:00 p.m.
Duration: 1:20<\/strong><\/strong><\/p>\n\n\n

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In its description of Anna Tauber’s encounter with a 1950s circus acrobat, Suzanne: A History of the Circus is a captivating inquiry in the form of a dialogue as she reconstructs her act with modern-day acrobats. 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