PASCAL DUSAPIN / NETIA JONES
ORCHESTRE DE PARIS DIRECTION KLAUS MÄKELÄ
Antigone
Operatorio with a libretto by Pascal Dusapin, based on Sophocles' tragedy Antigone, as translated by Hölderlin
Est. 1h35
Pascal Dusapin, a major figure in contemporary music, has appropriated Sophocles’ Antigone, as translated by Hölderlin, to fashion an expressive, gripping “operatorio” in German that is haunted by the eternal divergence between individual conscience and human law.
In ancient Thebes, a young Antigone rebels against her uncle, Creon, guardian of the city’s legal and social order, by demanding a burial for her brother Polynices, who was killed in battle while attacking the city. This costs Antigone her life. For Pascal Dusapin, grappling with this quintessential tragedy, which has been endlessly commented on, staged, rewritten, and deconstructed over the centuries, furthers an exploration of the opposition between law and love that he first undertook with Medeamaterial (1991), and then continued with Faustus, The Last Night (2006), Penthesilea (2015), and Macbeth Underworld (2019). Dusapin composed “his own” Antigone using Sophocles’ version, as then translated by Hölderlin. He chose it “because it avoids simple ideological or religious interpretations in favour of a political mise-en-abime”. In a stripped-down space that includes a video system, a set designed by director Netia Jones, Associate Director of the London Royal Opera, this operatorio focuses on the mythical and historical aspects of this drama “to talk about our world at every moment of its history”.
Performance with surtitles.
Libretto by Pascal Dusapin based on the German translation by Friedrich Hölderlin
Orchestre de Paris Conductor Klaus Mäkelä Stage direction, costume design, stage concept Netia Jones
Video design Lightmap Lighting design Eric Soyer Assistant stage direction Glen Sheppard Video engineering Marc Lavallée Costume collaboration Sukie Kirk Electroacoustic system Thierry Coduys
Antigone Christel Loetzsch, mezzo-soprano Ismene Anna Prohaska, soprano Creon Tómas Tómasson, bass A Messenger Jarrett Ott, baritone HaemonThomas Atkins, tenor Tiresias Edwin Crossley-Mercer, bass Coryphaeus Serge Kakudji, countertenor Eurydice Natalia Cellier Child accompanying Tiresias (alternating) Cosma Moïssakis Child accompanying Tiresias (alternating) Joseph Raynaud-Palombe
Assistant conductor Nicolas André Vocal coach Yoan Héreau Solo violin Eiichi Chijiiwa
Production Philharmonie de Paris Co-production La Villette-Paris, Philharmonie de Paris
Practical information
Philharmonie de Paris
Metro
Line 5 - Porte de Pantin station
Tramway
Line 3b - Porte de Pantin station
Bus
Bus 75, 151 - Porte de Pantin stop
Parking
Q-Park
Philharmonie
Q-Park
Cité de la Musique - La Villette
Q-Park
Cité de la Musique - Conservatoire
Parking
Cité des Sciences
Bike Chap
Vélib' docking points
Bike racks
Bike racks are available inside the Espace Chapiteaux area. You may leave your electric bike there with the battery attached.
- All areas of the Philharmonie de Paris are accessible to visitors with reduced mobility.
- Performance in German with French subtitles
- Several dining options available in the park before or after the show, discover them HERE.
In collaboration with
In partnership with
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